Some people we asked had concerns with the original shot-list. This was mainly with the sequencing of scenes and how the protagonist would shift from the countryside to the centre of a busy town in such a short period of time. However this we thought would be an issue and changed it for our story board. The intention for shooting is now to shoot just the car scene in the film. This will be supplied with the back story of 1956 France, giving the audience an idea that there is some kind of espionage backstory to the protagonist's situation.
Feedback of the story board were far more positive, and this helped us shape the plans for our film:
"Love the idea of having point-of-view shots from both the victim and the killer" JG - Media student
"Using a range of shots is good to show the conventions of the thriller" MM - Media Student
"I think you will struggle to put the shots together in an order that is coherent, and you will struggle to avoid putting in things that ruin the continuity. But if it is right then it should be really good' CC - Media student
"The shot types that your using sound really cool, I like the idea of using the French music in the film!" EP Media Student
"Building up tension to the final strangulation is a good way to keep the audiences attention, I like it!" CH - Media Student
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