Our Media production shot list!

Shot	Location	Shot Description	Framing	Action	Dialogue	Actors	Props	Notes
A	Auster Lodge Farm	Long Shot	The protagonist is the only one in the shot	The camera is still	N/A	Felix Rouch	He will be dressed with a brown leather jacket; he will be holding a pistol to create tension.	This shot will have non-diegetic sounds in the background. The titles will appear at the top of the screen in the center
B	Stamford Rec	Mid Shot	The Protagonist is running down the hill to town	The camera pans following the protagonist	N/A	Felix Rouch	“	We will not see the protagonists face to give a sense of mystery, The titles will still be coming up at this point giving a back story to the film
C	Stamford Rec	Medium close up	The camera focuses on the protagonists’ back, the rest of the scenery will be out of focus	He is walking with his head down, his hands are in his pockets	N/A	Felix Rouch	“	The main focused will be on the protagonist’s back. (This is like the opening to ‘The Place beyond the Pines’).
D	St Georges Square	Mid Shot	The street-lit	The camera will zoom out as he walks forwards, making it seem as though it is moving with him	N/A	Felix Rouch	The clothes he wears remain the same, yet the gun will be tucked down the back of his trousers.	The protagonists’ head will be bowed to emphasize the sense of mystery; he wants to stay out of site.
E	St Georges Square	Over-the-shoulder shot	The Street with two German officers in shot	The camera follows the protagonist as a tracking shot	N/A	Felix Rouch, Richard Gledhill, Harry Preen	The two German soldiers have holstered guns. They will also be wearing dark clothing; this gives the impression that they are antagonists.	The protagonist will try to keep his head down out of site of the two officers. The two officers will be out of focus just enough so the audience can make out that they are observing him.
F	St Georges Square	Point-of-view shot	The two German officers	Camera pan as though it is the man walking	N/A	Felix Rouch, Richard Gledhill, Harry Preen	“	The two officers will be staring straight at the camera to show how they are observing the protagonist.
G	St. Georges Square	Shot-Reverse	The Protagonist	Still camera	N/A	Felix Rouch	“	The protagonist will be walking across the street with his head bowed, he will turn to observe the Germans, this will give the audience the impression that he knows he is being watched.
H	St Georges Square	Shot Reverse	The two German Officers	Camera Pan	N/A	Richard Gledhill, Harry Preen	“	The two officers will turn away from the protagonist as he walks on, this will show that he is clear from any the threat of being discovered by the two officers.
I	St. Georges Square	Mid Shot	The Protagonist	Low angle shot	N/A	Felix Rouch	“	This will be a shot of the protagonist gaining speed now as he walks away from the officers and makes way to his destination.
J	St Georges Square	Mid Shot	The Protagonist	Still Camera	N/A	Felix Rouch	“	The protagonist will now be walking to his car (Morris Traveller); this will be parked so the front of the car is just appearing in the shot.
K	St Georges Square	Medium Close Up	The Protagonist	Tracking shot of his arm	N/A	Felix Rouch	“	The shot will show the protagonist reaching for the door handle of the car,
M	St Georges Square	Close Up	The Protagonist	Still camera	N/A	Felix Rouch	“	This will be a match-on-action shot of the hand on the door handle.
N	St. Georges Square	Medium Close Up	The Protagonist	Still camera	N/A	Felix Rouch	“	The inside of the door will show the match-on-action the man entering the vehicle.
O	St Georges Square	Point-of-view shot	The Protagonist	Still camera	N/A	Felix Rouch	“	The camera is pointing at the protagonist giving the audience the impression that there is someone in the backseat watching him,
P	St Georges Square	Medium close up	The Protagonist	Following the eye of the protagonist	N/A	Felix Rouch	“	He will look to the window of the car and realizes that the window is open.
Q	St Georges Square	Medium close up	The Protagonist	The face of the protagonist	N/A	Felix Rouch	“	The face of the protagonist shows surprise at the window. Then an assassin in the backseat will throw a belt round his neck and he will struggle. This will be the first time we properly see the protagonists face.
R	St Georges Square	Point-of-view shot	The Protagonist	The hands of the assassin and the back of the protagonist’s head.	N/A	Felix Rouch	“	The man will be struggling this will be fast-cut editing switching between these two shots. This shot will also be a high-angle shot to show how the man is venerable in his position.
S	St Georges Square	Medium close up	The protagonist	The Protagonists face and the hands of the killer	N/A	Felix Rouch	“	This will be the final shot of the sequence where the killer has killed the protagonist; it is a shot of his face against the steering wheel.  The horn will be sounding whilst the credits rise up the screen. He will be facing the camera so the audience sees his expression.